Woman in Black - Greasepaint and stage Lights - Musicals

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Broadcasting on  Radio Hillingdon - Thursday at 9pmCountywide Radio - Mondays at 4pmCoast & County - 97.4 - Mondays at 11pmCarillon Wellbeing Radio - Tuesdays at 5pmCirencester HBO - Tuesdays at 7pmForest FM - 92.3 - Tuesdays at 7pmUK Radio Network - Tuesday at 9pmCabin FM 96.4FM - Wednesdays at 6pmHastings Radio - Wednesdays at 9pmSouth Devon Sound - Wednesdays at 11pmJHR Radio - Thursdays at 12pmDrystone Radio 103.5 - Thursday at 12pmRed Road FM - 102.4 - Thursdays at 9pmSounds of Broadway - Various USA timesIlluminate Radio - Saturday at 4pmCrystal Radio - 107.4 - Saturday at 5pmConquest Radio - Sundays at 9amCoast and County - Sundays at 9amWhaley Radio - Sundays at 10amSouth Wales One - Sundays at 4pmBarts HBO - Sundays at 11amKGH HBO - Sundays at 2pmHereford HOB - Sundays 2pmStorm FM - Sundays at 7PMWest Hull FM - 106.9 - Sundays 5pmIslands FM - 107.9 - Sundays at 6pmCanalside FM - Sundays at 6pmMeridian FM - 107 - Sundays at 7pmRural Radio UK - Sundays 7pmBasingstoke Radio - Sundays at 8pmGuernsey Radio - Sundays at 9pmLCR FM - 103.6 - Sundays at 11pmSouth Devon Sound - Fridays at 1pmHWD Radio - Tuesdays at 6pmKGH - Thursdays at 7pmLondon Wide Radio - Various TimesIslands FM - Thursdays at 8pmSouth Devon Sound - Friday 2pmJHR Radio - Fridays at 4pm

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Woman in Black
UK Tour - Aylesbury
(Review Complete)

Review
A familiar story that’s been around a long time.
 
Malcolm James as the nervous, apologetic, deeply troubled ARTHUR KIPPS was convincing from start to finish. His transitions from nonchalant to panic-stricken were slick and totally believable.

 
The ACTOR played by Mark Hawkins was equally adept at changing characters. He was what most people would expect a self-centred, sarcastic actor would be like.

 
The quick, subtle, changes of clothes were very effective by both men. The simplistic set with the multi-tasking basket was used to great effect.

 
Sound effects were used appropriately and added to the experience as did the lighting moods.

 
Unfortunately, the performance was marred by the presence of a two-hundred strong school party in the audience. For every scary part of the play, there was a competition to see who could scream the loudest and the longest. Regrettably, the actors on stage carried on with their lines without a pause which meant that some key words and meanings were often lost under the exaggerated screeches.

 
I’m sure that an all-adult audience would be impressed whether they had seen the West End version or not.
 
4 stars out of 5.

Reviewed by Claudia Lynch
Greasepaint and Stage Lights

Email: musicals@btinternet.com
website: www.greasepaintandstagelights.co.uk
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