Olivier Awards 2025


The Fear of 13 by Lindsey Ferrentino at Donmar Warehouse
Kyoto by Joe Murphy and Joe Robertson at @sohoplace
Shifters by Benedict Lombe at Duke of York’s Theatre
The Years adapted by Eline Arbo, in an English version by Stephanie Bain at Almeida Theatre and Harold Pinter Theatre
Natasha, Pierre and The Great Comet of 1812, music, lyrics and book by Dave Malloy at Donmar Warehouse
Why Am I So Single?, music, lyrics and book by Toby Marlow and Lucy Moss at Garrick Theatre
The Importance of Being Earnest by Oscar Wilde at National Theatre – Lyttelton
Machinal by Sophie Treadwell at The Old Vic
Waiting For Godot by Samuel Beckett at Theatre Royal Haymarket
Hello, Dolly!, music and lyrics by Jerry Herman, book by Michael Stewart at The London Palladium
Oliver!, book, music and lyrics by Lionel Bart, new material and revisions by Cameron Mackintosh at Gielgud Theatre
Starlight Express, music by Andrew Lloyd Webber, lyrics by Richard Stilgoe at Troubadour Wembley Park Theatre
Heather Agyepong for Shifters
Rosie Sheehy for Machinal
Meera Syal for A Tupperware of Ashes
Indira Varma for Oedipus
Adrien Brody for The Fear of 13
Billy Crudup for Harry Clarke
Paapa Essiedu for Death of England: Delroy
Mark Strong for Oedipus
Jorge Bosch for Kyoto
Tom Edden for Waiting for Godot
Ben Whishaw for Bluets
Sharon D Clarke for The Importance of Being Earnest
Romola Garai for Giant
Gina McKee for The Years
Liv Andrusier for Fiddler on the Roof
Amy Di Bartolomeo for The Devil Wears Prada
Beverley Klein for Fiddler on the Roof
Andy Nyman for Hello, Dolly!
Raphael Papo for Fiddler on the Roof
Tom Xander for Mean Girls
Adam Dannheisser for Fiddler on the Roof
Myles Frost for MJ The Musical
Simon Lipkin for Oliver!
Jamie Muscato for Natasha, Pierre and The Great Comet of 1812
Chumisa Dornford-May for Natasha, Pierre and The Great Comet of 1812
Lauren Drew for Titanique
Clare Foster for The Curious Case of Benjamin Button
Lara Pulver for Fiddler on the Roof
Jordan Fein for Fiddler on the Roof
Nicholas Hytner for Giant
Robert Icke for Oedipus
Hugh Durrant for Robin Hood
Sachiko Nakahara for Spirited Away
Tom Scutt for Fiddler on the Roof
Christopher Shutt for Oedipus
Thijs van Vuure for The Years
Koichi Yamamoto for Spirited Away
Ballet Shoes adapted by Kendall Feaver at National Theatre
Inside No. 9 Stage/Fright by Steve Pemberton and Reece Shearsmith
Spirited Away adapted by John Caird and co-adapted by Maoko Imai
Maddie Moate's Very Curious Christmas at Apollo Theatre
The Nutcracker at Polka Theatre
Rough Magic at Shakespeare's Globe
Matthew Bourne for Oliver!
Julia Cheng for Fiddler on the Roof
Hofesh Shechter for Oedipus
Jon Bausor for set design, Toby Olié and Daisy Beattie for puppetry design, and Satoshi Kuriyama for projection design — Spirited Away
Frankie Bradshaw for set design — Ballet Shoes
Es Devlin for set design — Coriolanus
Howard Hudson — Starlight Express
Howard Hudson — Natasha, Pierre and the Great Comet of 1812
Aideen Malone — Fiddler on the Roof
Animal Farm — Theatre Royal Stratford East
English — Kiln Theatre
Now, I See — Theatre Royal Stratford East
What We Talk About When We Talk About Anne Frank — Marylebone Theatre
Aigul Akhmetshina for Carmen at the Royal Opera House
Jung Young-doo for direction of Lear at the Barbican
Duke Bluebeard's Castle by ENO at the London Coliseum
L'Olimpiade by Irish National Opera and the Royal Opera at the Royal Opera House
The Tales of Hoffmann by the Royal Opera at the Royal Opera House
Frontiers: Choreographers of Canada — Pite/Kudelka/Portner — Sadler's Wells
Theatre of Dreams — Sadler's Wells
An Untitled Love — Sadler's Wells
Sarah Chun for her performance in Three Short Ballets
Tom Visser for his lighting design of Angels' Atlas as part of Frontiers: Choreographers of Canada — Pite/Kudelka/Portner
Mark Aspinall for Musical Supervision and Additional Orchestrations for Fiddler on the Roof
Dave Malloy for Orchestrations and Nicholas Skilbeck for Musical Supervision for Natasha, Pierre and The Great Comet of 1812
Asaf Zohar for Compositions and Gavin Sutherland for Dance Arrangements and Orchestration for Ballet Shoes