As you enter the theatre you are greeted with what looks like the backstage of the TV show before it goes on air. Crew members wonder around the stage getting props and scenery ready, the suddenly the Warmup guy arrives and interacts as if we are the audience that you would hear on the TV show. Edward Leigh plays the warmup guy as well as Gunther the central perks owner amongst others. Very funny and versatile performance.
The real standout of this UK tour stop at Milton Keynes Theatre is undeniably the cast, who elevate every moment of this playful parody with their incredible energy and spot-on character work.
The show has all original songs and there are small riffs of the iconic opening song, but I feel copyright doesn’t allow for singing the full version. The show leans into nostalgia while fearlessly poking fun at the original series’ quirks. The cast brings infectious energy to their roles: Ross (Enzo Benvenuti) nails the character’s earnest awkwardness, while Phoebe (Amelia Atherton) delivers a side-splitting take on "Smelly Mom" instead of smelly Cat that had the whole auditorium in stitches. The musical numbers are catchy and clever, with references to Broadway favourites, such as “Cell Block Tango”, “Seasons of Love” with lyrics that riff on everything from Ross and Rachel’s on-again-off-again romance to Joey’s legendary appetite.

Each performer doesn’t just imitate – they build on the iconic roles we know and love. The actor portraying Chandler (Daniel Parkinson) has mastered the deadpan delivery and physical comedy that made Matthew Perry’s character so beloved, earning huge laughs with every well-timed quip. Especially with the iconic twist “Oh My God”. I say no more. Rachel (Eva Hope) perfectly balances glamour with endearing clumsiness, while her chemistry with the Ross (Enzo Benvenuti) performer makes their turbulent romance feel both familiar and delightfully absurd. Special praise must go to the actress playing Monica (Alicia Belgrade), who captures both the character’s obsessive-compulsive tendencies and her warm heart. But her high pitched voice meant some of her dialogue was lost for me and some of the words in the songs also. Even the supporting roles shine, from Meg Darcy, Lottie Lester (Director), Harry Mallghan and Jared Thompson. Gunther (Edward Leigh) brought wonderful pathos and humour to his unrequited crush.

That said, it’s not perfect – a couple of gags were lost, and some scenes rush through character moments that could have landed with more impact. A few lines then led into another unique song. The pacing dragged slightly in the first act, but vastly improved and got more whacky in the second. Also, a few of the parody elements verge on over-the-top rather than sharp satire.
But The theatre was packed. Overall, though, it’s a feel-good night out that will have long-time fans quoting lines along with the cast and leaving with big smiles on their faces. Perfect for anyone who’s ever wondered what would happen if the Friends crew burst into song mid-argument about "we were on a break!"
The musical numbers are well-served by the cast’s strong vocal abilities, particularly Phoebe’s reimagined folk tunes that blend genuine musicality with hilarious lyrics. The staging is simple but effective, with quick scene changes that keep things moving – though the second act could benefit from tighter pacing to match the cast’s dynamism. A few jokes don’t quite land, and some character beats feel rushed in service of fitting in more gags.
Ultimately, it’s the cast’s commitment and charm that make this a must-see for Friends fans. Their infectious enthusiasm fills the theatre, turning a straightforward parody into an engaging, heartfelt tribute.