Go to content

A Chorus Line - Greasepaint and Stage Lights - Theatre Radio Show

Broadcasting on  Countywide Radio - Mondays at 4pm Acacia Radio - Mondays 9pm Affinity Radio - Mondays at 11pm Cirencester - Tuesdays at 2pm HWD Radio - Tuesdays at 6pm Forest FM - Tuesdays at 7pm South Devon Sound - Wednesdays at 11pm Cabin FM - Wednesdays at 6pm JHR Radio - Thursdays at 12pm Drystone Radio - Thursday at 12pm Islands FM - Thursdays at 8pm Red Road FM - Thursdays at 9pm Radio Hillingdon - Thursday at 9pm Sounds of Broadway - Various USA times South Devon Sounds - Fridays at 2pm Dover Radio - Saturdays at 2pm Elastic FM - Sundays 2pm Crystal Radio - Saturday at 5pm Cabin Fm - Saturdays at 5pm Image Radio - Saturdays 6pm Coast and County - Sundays at 9am Whaley Radio - Sundays at 10am Arrowesound - Sundays at 10am Barts Radio - Sundays at 11am West Norfolk Radio - Sundays 12 Noon KGH Radio - Sundays at 2pm Hereford Radio - Sundays 2pm West Surrey Radio - Sundays 2pm Humberwave Radio - Sundays 5pm Chiltern Voice - Sundays at 5pm Islands FM - Sundays at 6pm Canalside FM - Sundays at 6pm Beverley FM - Sundays at 6pm 3T FM - Sundays at 6pm Ribble Radio - Sundays at 6pm Meridian FM - Sundays at 7pm L35 Online Radio - Sundays at 8pm Guernsey Radio - Sundays at 9pm The Beat of South Texas - Various Times Phantom Radio - Sundays - 6pm West Wiltshire Radio - Sundays at 11am Conquest Radio - Sundays at 9am West Norfolk Radio - Sundays 12noon Shire Extra - Sundays 10am Swindon HBO - Sundays at 2pm Veteran Radio - Sundays at 2pm Beacon Radio - Sundays at 3pm Chiltern Radio - Sundays at 3pm County Sound - Sundays at 3pm ABC Radio - Sundays at 4pm Derwent Sound - Sundays at 3pm Hereward Sound - Sundays at 3pm Invicta Sound - Sundays at 3pm K-CBC - Sundays at 3pm Leicester Sound - Sundays at 3pm Marcher Sound - Sundays at 3pm Mercia Sound - Sundays at 3pm Penine Sound - Sundays at 3pm Radio Broadland - Sundays at 3pm Radio Hallam - Sundays at 3pm Radio Mercury - Sundays at 3pm Radio Victory - Sundays at 3pm Radio West - Sundays at 3pm Saxon Radio - Sundays at 3pm Souther Sound Radio - Sundays at 3pm Swansea Sound - Sundays at 3pm

Access menu ->
Skip menu

Broadcasting on  Radio Hillingdon - Thursday at 9pm Countywide Radio - Mondays at 4pm Coast & County - 97.4 - Mondays at 11pm Carillon Wellbeing Radio - Tuesdays at 5pm Cirencester HBO - Tuesdays at 7pm Forest FM - 92.3 - Tuesdays at 7pm UK Radio Network - Tuesday at 9pm Cabin FM 96.4FM - Wednesdays at 6pm Hastings Radio - Wednesdays at 9pm South Devon Sound - Wednesdays at 11pm JHR Radio - Thursdays at 12pm Drystone Radio 103.5 - Thursday at 12pm Red Road FM - 102.4 - Thursdays at 9pm Sounds of Broadway - Various USA times Illuminate Radio - Saturday at 4pm Crystal Radio - 107.4 - Saturday at 5pm Conquest Radio - Sundays at 9am Coast and County - Sundays at 9am Whaley Radio - Sundays at 10am South Wales One - Sundays at 4pm Barts HBO - Sundays at 11am KGH HBO - Sundays at 2pm Hereford HOB - Sundays 2pm Storm FM - Sundays at 7PM West Hull FM - 106.9 - Sundays 5pm Islands FM - 107.9 - Sundays at 6pm Canalside FM - Sundays at 6pm Meridian FM - 107 - Sundays at 7pm Rural Radio UK - Sundays 7pm Basingstoke Radio - Sundays at 8pm Guernsey Radio - Sundays at 9pm LCR FM - 103.6 - Sundays at 11pm South Devon Sound - Fridays at 1pm HWD Radio - Tuesdays at 6pm KGH - Thursdays at 7pm London Wide Radio - Various Times Islands FM - Thursdays at 8pm South Devon Sound - Friday 2pm JHR Radio - Fridays at 4pm

Skip menu

A Chorus Line

A Chorus Line
Sadlers Wells Theatre
Review Complete

“All that dazzles may not be gold”
Friday 2nd August
  
There is something for everyone in this production from the Leicester Curve. Great dancing, good singing and some drama provided by the dancers telling the story of their lives as we progress through the audition process.

The show was conceived from recordings of real dancers telling the stories of their real experiences at auditions and several of the contributing dancers were actually in the original production. If you have never seen this show before and know nothing about it, I think you may enjoy it more.

I found some of the directorial decisions a little strange. During the opening section when all the dancers were trying their best to impress director/choreographer Zak, played by Adam Cooper, - “God I hope I get it” - the dance captain, Larry, played by Ashley-Jordon Packer who is a wonderful dancer,  was walking around with a camera filming the solo lines which appeared on a large screen stage Right. I found it unnecessarily intrusive, slightly out of sync with the music and each dancer had to turn upstage to sing into the camera. It took away the focus from the other dancers and frankly looked a bit gimmicky.  

Some of the solo sections were also a little odd. For example Christine, beautifully played by Katie Lee, has a wonderful song - “sing” - where she tells us that although she is a great dancer, she can’t sing. In the original production she then sang the song just a bit out of tune, which was very funny. However, in this production, we never found out whether could sing because she spoke the song throughout until the end when she literally screamed the last few notes. The impression I was left with was a well performed rap, which was never the intention.

When Paul, beautifully played by Manuel Pacific, told his traumatic story to Zak, he was walking around all over the stage which unfortunately dissipated the power of this wonderful piece of dialogue and left me feeling far less moved that it should.

Zak stressed to the dancers several times during the show that they must dance with identical style and no one should stand out, which was why he was very hard on Cassie, his ex girl friend and a stylish, individual dancer fallen on harder times and in need for this job. Carly Mercedes Dyer was a strong dancer and a good actress.

The finale of the show, the iconic “One” number, was spectacular with great choreography and beautiful gold costumes including indoor fireworks and a confetti cannon. The only downside was that we didn’t actually get to see the company perform as an actual chorus line, which is really the whole point of the show.  

All in all the performers were very good but some of the artistic decisions dubious.
 
Reviewer:  Julia Rufey

We are Gifted tickets so that in return we may give an honest review. All comments are those of the reviewer and theirs alone.
Greasepaint and Stage Lights

Email: musicals@btinternet.com
website: www.greasepaintandstagelights.co.uk
Skip menu
Back to content